Knowing how to choose the material that best suits your needs when it comes to taking pictures is essential. Everyone knows that in photography nothing is cheap, so before buying anything I recommend that you think about whether it’s really something that you need.
Lenses are the most expensive things in photography, sometimes costing even more than the camera itself. That’s why it’s worth being well informed and reading many of the analyses and reviews that can be found on the internet.
While the essential ingredient of taking excellent photographs is yourself, having a good team of lenses will make things a lot easier.
Putting together a good team that accompanies you photo by photo as you travel your way into the world of digital photography isn’t as simple as it seems since there are hundreds of models, brands and technical aspects to consider, not to mention your budget.
Samyang has announced the availability – for the month of December – of the first two lenses from their Premium XP product line: the 85mm f/1.2 and the 14mm f/2.4.
Presented last September, just prior to Photokina 2016, Samyung’s Premium XP – eXcellence in Performance – lenses are entirely manual and have been designed to accommodate very high resolution sensors – more than 50Mpx. We were able to confirm this during our recent field trial of the ultra wide angle 14mm f/2.4 mounted on the Canon 5Ds R. Both lenses boast a high quality of optical design – which includes aspheric lenses and a UMC – Ultra Multi Coating – to minimize flare. Their circular diaphragm consists of 9 aperture blades in order to produce an harmonious bokeh.
The official price for each of Samyang’s Premium XP lenses is 1000$. At the moment, only the availability for the Canon EF mount has been announced; availability for the Nikon F and Sony E mounts remains unknown.
Samyang products are distributed in our country by Rodolfo Biber. More information can be found on the product webpages for Samyang 85mm f/1.2 and Samyang 14mm f/2.4.
The Nikon D3400 aims to be one the stars of the market as it is the Japanese company’s low cost DSLR option. Even though the D3300 is still for sale and is a good option, there is no doubt that the D3400 will soon be discounted and be the new ideal camera for newbies in the world of photography. If you either have a Nikon D3400 or a Nikon D3300 and are planning to buy a lens, here is a list with the best lenses for these two cameras.
The best lens for the Nikon D3400
There is a lens that is better than all the rest in terms of the quality/price ratio, and also in terms of picture quality. This lens is the Nikon 35 mm f/1.8. It’s a very well known lens among all Nikon camera users. Its price is considerably affordable since you can get it for less than 200 euros, but it’s still the best option is you’re looking for high quality pictures. Its maximum aperture f/1.8 delivers pictures with a great bokeh effect. Actually, thanks to the fact that this is the maximum aperture, we can work with a little more resolution than ultra high resolution, but at the same time maintaining a great aperture, perfect for night photography just to name one use. Even though it also offers versatility that allows us to use the lens to produce a portrait in which we will try to defocus the background, while getting closer to the subject. It’s even great for recording videos. Without a doubt it’s the best thing you can buy for your Nikon D3400 or Nikon D3300. Being a fixed lens, you are forced to move closer or farther from the subject since you won’t have zoom, but that is made up for by the great quality that a fixed lens like this one offers.
Nikon presents its new AF-S Nikkor 105 mm f/1.4E ED, which will be the brightest 105 mm on the market today. With new optics, the AF-S Nikkor uses an electromagnetic diaphragm that has been advocated for in the world of optics for many years.
As we’ve mentioned, those in charge at Nikon have confirmed that the old – but by no means outdated – mechanical operation lever of the diaphragm of the Nikkor lenses, which is reminiscent of the sixties, does not only fail to offer the needed precision for the available means of exposure in the cameras of the 21st century, especially regarding burst shooting in sequence, but in addition, it also takes away the designers’ freedom when deciding on the optical scheme. This is because with this type of lever, the diaphragm must be located as close as possible to the mount to avoid issues with torsion of the lever. It then becomes a limitation when deciding upon the location of the lenses and their diameters.
Another Nikon lens review today? So it is! Nikon has done a major renovation on its standard lenses this year and the super telephoto lenses have not been left behind with the Nikkor 200-500mm f / 5.6E ED VR. We will review its features, but before this, do you remember what a telephoto lens is? If you know, you can imagine what the function of a super telephoto lens is and you can skip the following explanation.
The general functions of a super telephoto lens and the Nikkor 200-500mm f / 5.6E
A telephoto lens is perfect for taking photos of elements that are far from the photographer. Thanks to its aperture and depth of field, telephoto lenses simulate a blurred background to give a better focal point to a central element. (more…)
Sigma announced the new Sigma 24-35 mm lens f/ 2 DG HSM Art, for 24×36 mm format, the first of its kind with brightness and focus range.
The Sigma 24-35 mm f / 2 DG HSM Art is indeed the only angle zoom f/2 lens line that follows an optical schematic of 13 groups from 18 lenses, seven of which are made of SLD optical glass of super-low chromatic dispersion, two of them non-spherical, while a lens uses the famous FLD optical glass invented by Sigma, as its features are equivalent to fluorite glass, but without the drawbacks. As for the non-spherical lenses, some of them are of a particularly large diameter, which required special production techniques.
The idea of Sigma engineers was to create a zoom lens whose optical quality was the same of the best fixed focal lenses, which covers -24 mm, 28 mm and 35 mm, a zoom that contravenes the concept of commitment associated with that type of optical lenses.
In the photographic life of an amateur, choosing a good lens is a very important moment, but it can be a stressful process. All photographers who begin to take firm steps into the world of digital photography go through this confusion with their SLR camera.
That is why, as a guide, I have been presenting to you the best lenses, brand by brand, for your SLR camera. It has been Nikon’s turn, then Canon, and now it’s Sony’s turn.
In the article below you’ll find a lens for each situation, a small gallery of photos taken with each of them and even opinions of colleagues who have already experimented with these and have decided to share their insights and experiences.
Cannon features a wide range of high end lens for their most advanced cameras, although their mounting is the same as the amateur’s models. L Series is the top ends lens of the japanese brand and has just welcome a new zoom, but rather it’s an update of an existent model. The new Canon EF 100-400mm f/4.5-5.6L IS II USM is an update of the zoom lens that we already knew, but with some novelties that focus on improving the image quality. Is a professional lens intended to specific situations, as sports or nature photography, two areas where we are compelled to shot from quite long distances. The design has been maximum compacted to ease its portability an also there has been introduced improvements focused on a more fluent handling. We tell the details of this new Canon L Series zoom lens.